Who Owns Your Conference Throughline?
Every year, we support conferences, sometimes helping with a few keynotes and sometimes supporting the entire three-day production. Regardless of our role, our first step is to ask for the messaging document. But we rarely get it when we ask for it.
Instead, we get the run of show from the production company with a well-mapped timeline. Or we get a framing document from the internal team that explains the conference theme and experience. And occasionally, we just get a list of speakers with their topics and what we need to improve.
What we’re asking for is a view of how messages align, overlap and lead to key takeaways for the listeners. That’s what we call the throughline.
And more than half of the time, no one really owns it.
If that’s hard to believe, consider the key players who are pulling conference details together:
- The production company is focused on the event…and they deliver on the look and feel in a ballroom.
- The marketing team is about the experience…and they deliver on the look and feel outside the ballroom.
And it continues across technology support, events teams etc. People deliver on what they’ve been asked to do. But the throughline isn’t embedded in the process.
In fact, if you walked into a rehearsal the day before the conference begins, you’d see that a lot of what the audience will experience works well without speakers at all! The energy in the room comes from music. The visual concepts within the room create an experience and illicit emotion without words. In many cases, the quality of the production is well ahead of the quality of the messaging.
And the obvious question is: Is that OK?
It depends on your expectations for the conference.
If the outcome you’ve agreed on is that clients and employees feel entertained and connected to each other, then your goal may be accomplished with energy and entertainment. You may not need to worry about aligning messaging at all. Speakers can bring individual thoughts and worry less about being part of a total picture. But if the outcome you want includes follow-up actions, peaked interest in a new product, buy-in to a new approach, or sales calls to accelerate deals, you’ll never get there if messaging is not aligned and repeated consistently in the midst of all the entertainment and energy.
And that’s what a throughline is designed to do.
By helping internal teams align to six key steps, we ensure that conferences are developed around best practices that set the bar higher than a fun experience and deliver on outcomes and momentum that continues well after the event itself has wrapped up.
Here are our best practices.
STEP ONE: Set the Content Team & Process
The sweat equity required to align messages to a theme should happen as a first step. Messaging should lead the production element, the entertainment element, and everything else that happens in the room. But often, a production company is engaged before the theme is ever considered. And when you do that, you lose the flexibility to imagine the experience that best supports the outcomes you’re trying to deliver. This is when the throughline is developed.
STEP TWO: Align the Communicators to Messaging
Your communicators need to be aligned to a full picture of what you are trying to accomplish rather than treated as a separate component. Do you get their buy-in right up front as the throughline takes shape? Or do you get their attention in the last mile when you’re trying to nail down key points you want them to cover?
They are integral pieces of the through line, and that’s where challenge comes in. When conferences are treated as productions and events, the good thinking and talent resource goes toward planning the event. But if the theme isn’t talked out with the key communicators, you don’t have buy-in to the concept. And you’ll hit misalignment when they come in later in the process. Before anything else moves ahead, agreement to the throughline helps everyone support the event based on messaging. The throughline creates a clean and clear blueprint that should drive all the other components.
STEP THREE: Build Content & Context
While the creative teams join the conversation in step one, they leverage the message document to bring an experience to life. Once the messaging and throughline is set, it’s much easier to allow creative teams to do what they do best – without input or friction from the content owners. We create a separation between the two elements for production which gives the creative side full ownership for context and keeps the content creators very much in the lane of messaging.
When the content side tries to leverage a creative document to drive their process, roles get blurred and inevitably the creative side gets too much input into their process.
STEP FOUR: Blend Content & Context
Midway through the development, the content and context sides come back together. This gives both distinctly different elements a chance to see the full picture framed up and to gauge and adjust how well each component delivers the desired outcomes. If done at a midpoint, it also gives the creative team time to enhance the experience with elements leading up to and following up after the event. This step evaluates and edits at the midpoint to support repeatability and extend the memorability of what’s said. It also identifies the transitions and simple add-ons that can help ensure takeaways.
STEP FIVE: Add Supporting Roles
For most big events, companies rely on an MC to make all the transitions.
It’s a hard role. MC’s may be hired talent or someone inside the company who’s got a good stage presence. When step four happens at the right time, the role of an MC is defined clearly and linked to the throughline and flow of messaging. When it doesn’t happen, the MC becomes more of a comedian or stand-alone element that keeps the audience engaged and gives out details of what happens next throughout the day.
When this is seen as an intentional step after the blend of content and context, the MC role is leveraged more effectively. And it can be a more focused guide through the content rather than just an entertainer transitioning from one speaker to another.
STEP SIX: Measure Outcomes
Before you wrap it up, ask for feedback. And if you’re driving toward outcomes, you need feedback on two components: content and context. Measure context first. This can be done on the final day as people head to the airport. They’re thinking about the event itself and what they experienced. It’s good measurement against what you wanted the experience to deliver.
But more important is measuring the content impact. And that’s the outcome you wanted to reach. One month after the conference, what do your attendees say? Have they booked a follow-up meeting or moved exploration of a product further? Measuring content and context separately helps you gauge whether you’re investing too heavily in one or the other. And if you’re really delivering against all expectations for the conference.
The steps above make a big difference in moving from high entertainment to high impact. And we can help you do it. Whether you leverage us for two steps or all six, we can help your conference gain repeatability and memorability that will deliver outcomes throughout the year.
Want a free 15-minute consultation with us to see how we can help you or your leaders? Book a call now!